As gain is increased, a filtered clean signal that runs in parallel is reduced in amplitude, and vice-versa. The first is controlled by the dual-gang gain control. Key to the circuit are two filter networks that amount to a clean blend. Most players, however, value its touch-sensitivity and run it at much lower-gain settings. At the maximum settings on the gain control, it's an almost square-wave distortion, caused by clipping inside the op-amp. There's quite a bit of gain on tap, and that, combined with the hard-clipping diodes means the Centaur can hit distortion territory if required. However, testing by ear, as well as waveform analysis have since showed that, if anything, the effect of these diodes is marginal. (Image credit: Future) Why is the Klon Centaur so good?īill Finnegan claimed that the hard-clipping 1N34A germanium diodes are the signature component of the Centaur's sound. For a budget option, investigate the Mosky Golden Horse, especially if pedalboard space is an issue. Meanwhile, the original Tumnus remains a good-value option for those in search of the authentic article. The Wampler Tumnus Deluxe (opens in new tab) offers an interesting spin on the circuit for non-purists. If you want to get straight to our choices, keep scrolling. If you want to find out more about the original Klon Centaur – and what makes the best Klon clones – head to the bottom of the page. And that’s what we’ll be looking at here. Inspired by the enduring popularity of the design and bottleneck in supply, clones of the circuit, known as 'klones' have become available over the years. This led to the term 'transparent overdrive' – though, it should be noted, that at higher gain settings, the Klon is anything but. Originally produced by Bill Finnegan between about 19, the pedal's unique topology meant that a portion of the guitar's clean signal was always blended back into the distortion sound.
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